Two sisters and their mysterious past.
Libretto/Story by Dr. Spy Dénommé-Welch,
Co-Composed by Dr. Spy Dénommé-Welch & Catherine Magowan
An Unsettled Scores production in collaboration with
Native Earth Performing Arts,
The Toronto Consort and Theatre Passe Muraille
Co-Composed by Dr. Spy Dénommé-Welch & Catherine Magowan
Native Earth Performing Arts,
The Toronto Consort and Theatre Passe Muraille
![two women, one in orange one in purple are in a canoe in the water there is a fish on either side of the canoe.](https://www.passemuraille.ca/wp/wp-content/uploads/2023/07/Canoe_wide-canoe-and-fishes-1024x576.png)
Visual Art by Mishiikenh Kwe
September 12-16, 2023
at the Trinity St Paul’s Centre
Composed by Unsettled Scores co-founders Spy Dénommé-Welch and Catherine Magowan, and set to a story/libretto by Spy Dénommé-Welch, Canoe is a captivating tale of two sisters from Northern Ontario, their ancestral tree, and an old, but familiar, visitor from the past. Through a minimalist aesthetic, this poignant work breaks free from Eurocentric operatic structures, creating an accessible and safe space for diverse audiences to experience the transformative power of Indigenous storytelling and opera.
Show Runs
September 12-16, 2023
Running Time: 2 hours
Location
Trinity St. Paul’s
427 Bloor Street West, Toronto
*Please note this production does NOT take place at TPM
Tickets
Pay-What-You-Can-Afford
Previews: $10
$20 | $45 | $65
Warnings: Language (swearing), mention of self harm, and Mentions of Residential Schools and death and harm in relation to Residential Schools.
Credits
Librettist/Storyteller
Dr. Spy Dénommé-Welch
Co-Composers
Dr. Spy Dénommé-Welch & Catherine Magowan
Co-Directors
Dr. Spy Dénommé-Welch & Dr. Moynan King
Musical Director
Catherine Magowan
Choreographer
Montana Summers
Producer for Unsettled Scores
Ulla Laidlaw
Assistant Music Director / Lute
Ben Stein
Lighting Designer
Siobhan Sleath
Set Designer
Lindy Kinoshameg
Costume Designer
Sherri Hay
Wardrobe Assistant
Aurora Judge
Surtitle Creator/Operator
Camille Rogers
Audio Describers
Janis Mayers & James McKenzie
Production Manager
Aden Calvin
Technical Director
David Fisher
Stage Manager
Meghan Speakman
Assistant Stage Manager
Angela Mae Bago
Production
Knowledge Holders
Dr. Catherine Longboat & Morris Lessard
Hair & Makeup Artist
Deandra Wells
Cast
Michelle Lafferty
Conlin Delbaere-Sawchuk
Nicole Joy-Fraser
Kristine Dandavino
Musicians
Benjamin Stein | Lute & Theorbo
Alison Melville | Recorders
Kathleen Kajioka | Violin
Margaret Jordan-Gay | Cello
Paul Jenkins | Harpsicord
Accessibility Team
Maeve – Production Support Dog
Katey Wattam – Community Support Person
![two women, one in orange one in purple are in a canoe in the water there is a fish on either side of the canoe.](https://www.passemuraille.ca/wp/wp-content/uploads/2023/07/Canoe_wide-canoe-and-fishes-1024x576.png)
Sept. 15 & 16, 7:30 pm | Sept. 16, 2 pm | Previews: Sept. 12 & 13, 7:30 pm
There will be a Closed Audio Described performance on September 16 at 2pm (Audio Description & Post show Q&A). Audio Description provided by Superior Description Services. Please reserve a receiver in advance by emailing jenns@passemuraille.on.ca.
If you would like information on the topics or themes in our productions, or to determine the suggested age for attending a performance, please reach out to our Box Office staff at 416.504.7529 or by email at info@passemuraille.on.ca.
Dr. Spy Dénommé-Welch (Algonquin-Anishnaabe) is a multi-disciplinary composer, librettist/playwright, producer, and educator. Select credits as a writer and composer include: Transpositions (2022); Rouge Winter (2019); RADAR (2019); Contraries: A Chamber Requiem (2018); Sojourn (2017); Bottlenecked (2017); Victorian Secrets (2014); Giiwedin (2010). He is Artistic Director of Unsettled Scores, and an Associate Professor at Western University.
Catherine Magowan is a bassoonist, composer, conductor, and arts administrator. She is first-generation Canadian of Jewish-Hungarian ancestry. Recent composing credits (with collaborator Spy Dénommé-Welch) include Transpositions (featured composer, 2022), RADAR (2019), Rouge Winter (2019), Contraries: A Chamber Requiem (2018), and Sojourn (2017, commissioned by Signal Theatre). Her second opera (also with Dénommé-Welch) premieres in the fall of 2023. As a bassoonist and flautist Catherine regularly freelances throughout Ontario, and is co-founder of the world’s first electric bassoon band. Catherine is the Managing Director of Unsettled Scores.
To schedule an interview with the artist, please email Media Contact: Damien Nelson, damien@wantandable.ca
Language (swearing), mention of self harm, and Mentions of Residential Schools and death and harm in relation to Residential Schools.
Canoe is made possible with support from:
TBA
Unsettled Scores creates and produces musical and theatrical works that explore and reflect difficult Canadian and global histories, while being relevant to contemporary issues and subject matter. Unsettled Scores was co-founded in 2006 by Dr. Spy Dénommé-Welch (Indigenous Algonquin-Anishnaabe) and Catherine Magowan (Hungarian-Jewish), and together they have created and produced solo, chamber, orchestral and opera pieces, as well as theatrical and multimedia work. www.unsettledscores.com
Native Earth Performing Arts is Canada’s oldest professional Indigenous theatre company. Currently in its 41st year, Native Earth is dedicated to creating, developing and producing professional artistic expressions of the Indigenous experience in Canada. Through stage productions (theatre, dance and multi-disciplinary art), script development, apprenticeships and internships, Native Earth seeks to fulfill a community of artistic visions. www.nativeearth.ca
The Toronto Consort is Canada’s leading ensemble specializing in the music of the Middle Ages, Renaissance and Early Baroque. Founded in 1972, The Toronto Consort was one of Canada’s first professional period-music ensembles and currently features nine of Canada’s leading early music specialists, including singers and instrumentalists. www.torontoconsort.org
Founded in 1968, Theatre Passe Muraille is Canada’s original alternative theatre company, currently developing and producing new Canadian plays. TPM is striving to articulate a distinctly Canadian voice that reflects the complexity of our intercultural society. TPM believes there should be a more diverse representation of artists, audience members, and stories in our theatre. TPM aspires to be a leader locally, nationally and internationally in establishing, promoting and embracing collaborative and inclusive theatre practices. We do this so that we can support and ignite the voices of unique artists, communities and audiences. www.passemuraille.ca