The Flin Flon Cowboy – Program

Erin Brandenburg is a director and writer for film and theatre who is originally from Essex County, Ontario. Based in Tkaronto, her work engages with social questions and creates space for conversation. She recently directed the audio play Deceitful Above All Things (Favour the Brave/Stratford at Home) and was the writer on Detroit: Music of the Motor City (Soulpepper Concerts). She was an Artist in Residence with the Toronto Public Library creating the Albion VR Project (Toasterlab). Other Select writing/directing credits include Selah’s Song (TOTB – US/Canadian Tour), HOME DAY (Necessary Angel/Resilience Project), UnMute (Zoom Play/Podcast – TOTB), Remembering the Winnipeg General (Zeitpunktheatre), Everything I Couldn’t Tell You (Riser/Spiderbones), Blood Wedding (Soulpepper). She is currently in post-production for her first short film, Retreat, which was filmed on location on Pelee Island.

Jules (they/them) is of Slavic and Scottish ancestry and a settler living in Tkarón:to. Jules is an organizer, facilitator, stage and production manager. They are the Co-Creative Director of The AMY Project and co-creator of Fat Fables, a program for Queer & Fat folks to gather together to make art and tell their stories. They have worked in various roles across the non-profit arts sector, including at The Toronto Fringe, Workman Arts, Summerworks Festival and more. Jules is dedicated to bringing care, compassion and empathy into theatre and creative spaces. Jules advocates for mental health justice, fat liberation and creating spaces for shared experiences and support. They are currently going into their third year of training at the Centre for Training in Psychotherapy. They have been a part of the Flin Flon journey since 2018 and are thrilled to be a part of the premiere at TPM.

Debbie Patterson is a Winnipeg playwright, director and actor. Trained at the National Theatre School of Canada, she is a founding member of Shakespeare in the Ruins, served as Artistic Associate at Prairie Theatre Exchange from 2012 to 2018 and was a member of the PTE Playwrights Unit. She is in demand across the country as a consultant on crip aesthetics/accessibility and as a theatremaker working in disability aesthetics. She was honoured with the United Nations Platform for Action Committee’s 2014 Activist Award and the City of Winnipeg’s Winnipeg Making a Mark Award in 2017. She was twice shortlisted for the Gina Wilkinson Prize. She is the matriarch of a family of artists. She is a proud advocate for disability justice through her work as founding and current Artistic Director of Sick + Twisted Theatre. She lives a wheelchair-enabled life in Winnipeg (Treaty 1) and in a cabin on the shore of Lake Winnipeg (Treaty 2) with her partner and collaborator, Arne MacPherson.

Jung-Hye is a Toronto based set and costume designer. Her recent design credits include Mary Poppins (Theatre Sheridan), Guilt a love story (Tarragon Theatre), Lady M (1S1 Theatre), The Chinese Lady (Studio 180, Dora Award for outstanding costume design), The Nightingale of A Thousand Songs (CCOC), Jesus Christ Superstar (Theatre Sheridan), Hamlet-911 (Stratford Festival), An Imm-Permanent Resident (Why Not Theatre), Hilot Means Healer (Cahoots Theatre), Dry Powder (Evermore Theatre), Now You See Her (Quote Unquote Collective, Dora nomination for outstanding costume design)

Echo is an award-winning, proud Chinese immigrant and Tkaronto-based scenographer. She has designed for many art organizations nationwide, including the National Art Centre, Stratford Festival, Tapestry Opera, Tarragon Theatre, Buddies in the Bad Times, Theatre Passe Muraille, Thousand Island Playhouse, and many live performance festivals. Her designs have been presented in Japan and China. Her favourite recent credits are Cymbeline (Stratford Festival), Shaniqua in Abstraction (Crow’s Theatre), Rocking Horse Winner (Tapestry Opera), A Poem for Rabia (Tarragon Theatre), The Chinese Lady (Studio 180); Benevolence (Benevolence Collective); Between a Wok and a Hotpot (Cahoots Theatre); The Year of the Cello (Theatre Passe Muraille); HMS Pinafore (Vancouver Opera); Every Brilliant Thing (Thousand Island Playhouse); White Girls in Moccasins (Manidoons Collective); Mr.Shi and His Lover, and I Swallowed Moon Made of Iron (Music Picnic). Echo is a member of the Associated Designers of Canada. For Grandpa, 獻給敬愛的嗲嗲。 www.echozhoudesign.com

Laura Warren is a Saskatchewan-raised, Ontario-based, designer for theatre, dance, live music, and opera. Selected Credits: Qalb: A Journey of the Ego (1S1 Theatre); Aportia Chryptych (COC); seven methods of killing kylie jenner (Obsidian Theatre); Shaniqua in Abstraction (Crow’s/paul watson productions); Zahhak (CCSD/Tirgan); No Save Points (Outside the March/Starvox); Of the Sea (Tapestry Opera/Obsidian Theatre); #34 (Globe Theatre); The Queen in Me (COC, Nightwood Theatre, Amplified Opera, Theatre Gargantua); Is God Is (Canadian Stage, Obsidian Theatre, Necessary Angel); 21 Black Futures (Obsidian Theatre/CBC Arts); Sexual Misconduct of the Middle Classes (Tarragon Theatre); In Absentia (JDdance); Pomegranate (Pomegranate Opera); The Black Drum (Deaf Culture Centre/Soulpepper); Grace (Nightwood Theatre/Crow’s Theatre); Unholy (Nightwood Theatre); Oraltorio: A Theatrical Mixtape (Obsidian Theatre/Soulpepper); Bearing (Signal Theatre/Luminato)

Nicole Eun-Ju Bell is a Toronto based, Korean-Canadian, multidisciplinary artist with a passion for performance and technology. Among other things, she is a projection designer, XR Artist, and production manager. In the theatre world she works with various Toronto-based theatre companies and has curated and presented work at local and international festivals including: Prague Quadrennial 2019 and 2023, Summerworks, Luminato, and Toronto Fringe. In the XR world she has recently performed in Uncanny Alley: A New Day by Ferryman Collective at the Venice Film Festival. She currently works as the Venue Producer for the PXR conference.

MONICA DOTTOR MFA – Master of Fine Arts Theatre – Performance/Creation/Directing Monica Dottor is a 12 time Dora Mavor Moore* award nominated artist and 3 time recipient in 5 different categories including Actor(5X), Choreographer(5X), Director (1X) and Costume Designer (1X) DIRECTOR/CHOREOGRAPHER: The 39 Steps (County Stage), JANICE ALMIGHTY (Company Blonde), In The Fire, (Femmes du Feu Circus) Beauty and the Beast (UofWindsor), A Blow in the Face (Nightwood), Big Love (UofWindsor) BEARS* (Punctuate Theatre/Alberta Aboriginal Arts, Theatre Centre, Factor, Belfry) THE OTHER (Pyretic/Company Blonde/TheatreFront/Soulpepper), The 94 Club (Crave), MALARIA LULLABY (Company Blonde), TWEET TWEET (Femmes Du Feu/SOULPEPPER), Flora & Fauna, Circus Sessions (Femmes Du Feu), Something Rotten, Urinetown, IF/THEN (Sheridan Musical Theatre), ROSE*, Idomeneus, Sisters, The Chopin Project, Eurydice, Glenn, A Tender Thing, MARAT/SADE* (Soulpepper), The Penelopiad*(Nightwood), Craigslist Cantata* (Acting UpStage) Monica is represented by Gary Goddard and Associates

Frank Hull is an established, professional artist who proudly lives with cerebral palsy and madness, embraces his Mi’kmaq heritage, and celebrates his gay identity. Hull has distinguished himself as one of Canada’s most prominent power wheelchair choreographers and dancers. He more recently expanded his repertoire to include live and digital performance. Hull‘s artistic practice is multidisciplinary, consisting of varied, vibrant works in dance, theatre, music and media arts. His artistic vision is to reveal the impacts of trauma and oppression on the body while positioning “deviant” bodies as a source of aesthetic appreciation, beauty and enrichment. Hull‘s dance works have been presented several times at ART WITH ATTITUDE (Toronto) His most recent work includes a film currently in production entitled, “Own Kind of Beautiful,” directed and created by Sarah Jones. He has also contributing to “Access Me.” A play developed by the Boy’s in Chairs Collective Toronto. Frank has also been instrumental in the Rolling Dance Chair Project™ serving as a “test” dancer/research participant and providing input for the new wheelchair technologies for dance being developed at the University of South Florida.

Corey Tazmania (Intimacy Director): Credits include: Jim Watts: Girl Reporter- 4th Line Theatre; I Love You, You’re Perfect, Now Change- Lake George Dinner Theatre; Angel’s Bone– Harbourfront Center; The Hooves Belonged to the Deer– In Arms Theatre Collective, Edmonton Fringe (Sterling Nominee); Heartless– Aki Studio; Intimate Apparel – Thousand Islands Playhouse; The Hooves Belonged to the Deer – The Tarragon; Bengal Tiger at the Baghdad Zoo – Crow’s Theatre. Corey also serves as an Intimacy Consultant for Hart House Theatre and as an Intimacy Professional for academic theatre throughout the GTA. MFA York University.

Carlos Varela Carlos began his career in his native Mexico, where he worked for 8 years with the TJMTC and Spotlight Foundation AC. touring local and internationally. He has also worked with OCESA, production managing tours of major Broadway productions. Since moving to Toronto in 2015, he has focused on work with theatre companies and festivals such as Summerworks, Rutas, The Fringe Festival, Riser Festival, The Theatre Centre, Crow’s Theatre, UofT, Obsidian, Tapestry Opera, The Royal Conservatory, among others. Selected theatre credits include: 21 Black Futures, Dixon Road, Take The Moment: Cynthia Dale, Broken Shapes, YERMA, Manman La Mer, Treemonisha, Appropiate (Dora award winner) Rocking Horse Winner, Universal Child Care, Dialogues Des Carmelites, Hedda Gabler, Luminato Festival. Upcoming productions: Case Existence of God, In my own little corner.

Having just finished his fourth year of Performance: Production at TMU’s School of Performance, Nathan works in the realms of upper management, in Technical Direction, and Production & Stage Management. Nathan works freelance in the theatre industry as a technician, stagehand, and driver of large trucks. Past credits include Producer for Toronto Metropolitan Theatre Company (2020-2024), Assistant Production Manager for ACCESS ME (Boys in Chairs Collective), Apprentice Production Manager for THE CANADIAN FESTIVAL OF NEW MUSICALS (Musical Stage/Canadian Stage) and Production Manager for a double bill of workshop productions in Fall 2023 for Tarragon Theatre and TMU. Upcoming credits include Production Manager for JOB (Coal Mine Theatre).

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Sam Gleason is a multi instrumentalist, engineer and producer living in Toronto, Ontario. Since moving to the city to attend the Humber College music program Sam has worked with musicians from across the spectrum of North America’s music scene. In addition to his time at Humber College Sam attended the School for Improvised Music at NYU in 2012. Whether playing guitar and keyboards with Tim Baker, Jeremy Dutcher and more on festival stages, producing and engineering records for Dana Gavanski and Charlotte Cornfield, flying to Sweden to improvise soundscapes behind poet robertalanfuturehearts, or crafting new uses of traditional dance music language and giving it new life Sam is in constant demand for his creativity and skill.

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Mandy E. MacLean (she/her) is a theatremaker and proud Maritimer, now based in Toronto. She is the Dramaturgy & Accessibility Associate (Metcalf Performing Arts Foundation Intern) at Theatre Passe Muraille. A member of the Mad community, she has experienced traumatic brain injury and has a Cocker Spaniel named Mulder. Mandy has been thrilled to participate in many projects at TPM. Upcoming: Associate Dramaturge & Access Support for “Blind Dates” (in development, TPM, dir. Majorie Chan) and “The Concussion Play” (in development, supported by Tangled Arts, Why Not Theatre, Theatre Gargantua and the OAC). As a performer: “Don’t Go Into the Woods” (Tarragon, dir. Courtney Chg’ Lancaster, in development) and “hiraeth” (SummerWorks). Mandy coordinated an access-based project with W. Ross School for the Blind and was the Arts Activation Coordinator for Frog in Hand’s Art Shelter. She believes that considering access in all forms can lead to exciting work and experiences for everyone.

Anne Campbell is an artist who works in ceramics and sculpture.

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Brian Postalian (Բրայն Փոսթալյան) is a performance creator, educator, and producer born and raised in Toronto/Tkaronto by way of Armenia (via Lebanon and Turkey), Ireland, UK, and the Czech Republic. With their company Re:Theatre, they make work that reconsiders how we share space together in communal places, blurring the divide between audiences and performers. Their work New Societies used immersivity and interactivity with a focus on game theory and social engagement to create idyllic societies. It has been presented across Canada and internationally, where it has been translated into Mandarin with the National Theatre of Taipei. Brian was a co-creator of the Dora Award-nominated Access Me with the Boys in Chairs collective, which was published by Playwrights Canada Press as part of Interdependent Magic: Disability Performance in Canada. They hold a Master of Fine Arts from Simon Fraser University and are a certified facilitator of Liz Lerman‘s Critical Response Process. www.brianpostalian.com